Amy Os

Two jobs on the same circuit

The name on the line-ups is Amy Os; the name on the Resident Advisor profile is Amy Osmaston. She works out of London, and her booking profile lists her as a 22-year-old DJ and presenter — two halves of the same job, often carried out at the same parties on the same night. The presenting is done with Break The Wire, the London music platform. One of her earliest surviving recordings, a set from Crate in Hackney Wick, is filed on her own SoundCloud under a Break The Wire slug, which is roughly how the two strands relate: the camera work put her in the rooms, and the bookings followed.

The map she covers is domestic first. RA lists the regions she has played most as London, Leeds and the Midlands, which reads like a working diary rather than a touring schedule. Beyond the UK she has taken dates to Val Thorens in the French Alps, to Germany and to Bali. Her booking profile names Eliza Rose, Taylah Elaine and Dan Shake among the artists she has shared bills with — support and shared line-ups rather than co-headlines.

The work is the recordings

There is no discography. No EP, no label, no remix credits. What exists instead is a SoundCloud account with eleven uploads, almost all of them live recordings with the venue in the title, and the upload dates trace a career at the point where it starts to accelerate.

The run begins with Cafe 1001 June 2025, posted on 20 July 2025, and a set from Crate posted nine days later on 29 July. A sixteen-minute mix filed as Rinse FM went up on 22 November 2025. Two more arrived on 30 December 2025 — a recording from Gallery, and a deep and minimal house mix that is the only upload in the set not tied to a room.

2026 is where the venues change. On 13 April she posted a second Cafe 1001 set, recorded the previous December; the following day, 14 April, came fifty minutes recorded at Koko in Camden. A set from The Cause went up on 2 June, one from Colour Factory — recorded at a Truly Madly day party — on 23 July, and on 3 September a twenty-nine-minute recording titled Live @ Amnesia You&Me. Ten months, six different rooms, and a steady drift from bar to club.

Brick Lane, Hackney Wick, Camden

Cafe 1001 on Brick Lane is the closest thing she has to a home room, and it suits what she plays. RA describes it as a cafe and workspace by day and a hi-fi bar by night, with a handmade oak DJ booth and Funktion One and Klipsch Heresy systems — a listening room rather than a warehouse. She has been back repeatedly; a clip posted to her TikTok captions one such return as an hour of minimal and deep house, which is a fair description of the register she works in.

The Crate set was recorded outdoors at the Hackney Wick brewery, an open-air day party played alongside Tomoki Tamura of Holic Nights. Colour Factory, a few streets away, hosted the Truly Madly day party she recorded in July 2026 — Truly Madly being the party associated with the Pickle Factory, whose Hackney Wick sessions run day into night across more than one venue. Koko is the outlier in scale: a Camden theatre whose late club programme is a different proposition to a Brick Lane bar, and the only room on the list where the recording runs a full fifty minutes.

2026 on the ground

Two RA listings put dates on the record. On 27 June 2026 she played Cirque du Soul's London summer day party at The Cause — the club that opened in Tottenham Hale in 2018 and reopened at 60 Dock Road in Silvertown in 2023. On 5 September 2026 she was on a Roche Musique bill at the Jazz Cafe in Camden alongside Cezaire and Crayon, with tickets from £5. The Jazz Cafe booking sits slightly outside the house circuit she otherwise works: Roche Musique is a French label whose roster leans toward downtempo and electronic soul rather than club minimal, and the slot suggests a promoter willing to hire her on feel rather than genre.

The Amnesia recording is the most consequential thing on the profile and also the least documented. You&Me is Josh Baker's party, which ran a fourteen-week Thursday residency at Amnesia in Ibiza across the 2026 season, closing on 1 October. Her upload, dated 3 September 2026 and twenty-nine minutes long, is the only public trace of her involvement; the length points to an opening or early-room slot rather than peak time. No press coverage of the booking has appeared anywhere.

Standing, honestly measured

The numbers are small and lopsided. The SoundCloud account, where the actual sets live, carried 745 followers; Instagram, under @amyosmaston, around 4,600; TikTok, under @amyosdj, about 27,000. The short-form audience is roughly six times the size of the audience for the music itself — a familiar shape for a DJ who also presents, and a plausible explanation for why the bookings have moved faster than any coverage. Individual set plays sit in the double and low triple digits: 90 for Koko, 86 for the Rinse FM mix, 34 for Amnesia.

There are no reviews to quote. No magazine has profiled her, no publication has written up a set, and nothing has been released on a label for a critic to assess, which makes the upload log the only honest evidence of progress. What it shows is that between July 2025 and September 2026 the rooms got larger and further apart, and that the diary holds two dates on sale at the time of writing — the normal state of affairs at this level of the circuit, where bookings land weeks rather than seasons ahead.