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Emil Wakim

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The profile · researched 26 September 2026

Emil Wakim takes his first hour back to the room where he learned the job

Two years after becoming the first Lebanese-American cast member of Saturday Night Live, and a year after being told he was not being kept on, Emil Wakim is filming his debut Netflix hour in the small Indiana club where he started. The taping is booked for late October 2026.

Chicago, then a college town in Indiana

Emil Pierre Wakim was born in Chicago on 11 March 1998. He grew up in an Arab Christian household of Lebanese descent — an immigrant father, a mother from the suburbs — and that pairing still supplies a large share of his material. He went to school in the Chicago suburbs and took his degree at Indiana University Bloomington, and it was in Bloomington rather than Chicago or New York that he first got on stage.

The room was the Comedy Attic, a club whose standing among touring comics runs well ahead of the size of the town it sits in. That detail matters more than the usual origin-story flourish, because the Attic is where he is recording his first hour in October 2026 — a return the club dates to nearly a decade after he began there. He moved to New York afterwards and is based in Brooklyn, working as a stand-up, writer and actor.

The climb, 2022 to 2024

Two things in 2022 moved him out of the open-mic tier. He was picked as a New Face of Comedy at Just for Laughs in Montreal, the festival slot that industry scouts treat as a shortlist, and he did his late-night stand-up debut on The Tonight Show Starring Jimmy Fallon, where the set ended in a standing ovation. The Fallon material worked the seam he has kept mining since: racial friction handled lightly, and the specific comedy of watching his own parents deal with each other.

Around those bookings came taped sets for Don't Tell Comedy and Comedy Central Stand-Up Featuring, and a run of opening slots for Roy Wood Jr., Nikki Glaser, Hasan Minhaj, Kyle Kinane and Neal Brennan — the sort of support work that builds an hour faster than club headlining does, because it forces a comic to win rooms that came for somebody else. Vulture put him on its list of comedians worth knowing. In 2024 he also played Beirut, which for a comic whose act leans on a Lebanese household is less a novelty date than a stress test.

One season at 30 Rock

In September 2024 Wakim joined Saturday Night Live as a featured player for its 50th season, the first cast member of Lebanese heritage in the show's history. Speaking before the season began, he said the casting had given his parents a lot of closure — a flat, unsentimental way of describing what an immigrant family reads into a job like that.

What travelled from the season was not sketch work but the desk. His Weekend Update appearances, where a featured player is handed the camera alone for two or three minutes, became the part of his year that circulated, and they were built out of stand-up rather than character comedy: his own Arab Christian upbringing, American comfort and what it costs somebody else, the gap between what young audiences believe and what they will say out loud. It is material that reads as reported rather than written to a formula, which is why a single-season run left more of a trace than single-season runs usually do.

The call in August 2025

On 27 August 2025 Wakim announced on Instagram that he would not be returning for season 51. The decision was not his. He called it a gut punch of a call to get, thanked Lorne Michaels, and described the season as the most terrifying, thrilling and rewarding stretch of his career — the three words in that order, which is about as honest an account of the job as anyone has given.

Late August is when the show settles its cast, and he was one of several departures ahead of the new season. For a comic one year into national visibility, the timing was awkward in one sense and useful in another: the audience had arrived, and there was suddenly nothing to do with it except tour.

What the year after actually produced

He toured, and then the year turned. On 6 May 2026 he played a solo showcase at the Netflix Is a Joke festival at Pacific Electric, a new venue in Downtown Los Angeles — a festival slot with his own name above it rather than a shared bill. On 23 April 2026 it was reported that Netflix had signed him for his first full-length special, an hour to be taped that October with no premiere date attached, executive produced by Matthew Vaughan for Rotten Science. He is represented by UTA and Strig Artist Management.

He has also moved into film, cast in a supporting role in the A24 comedy Peaked, directed by Molly Gordon. But the hour is the consequential item. A featured-player run gives a comic a name; an hour is the thing that proves the name was earned on stage rather than in a studio.

Bloomington, 22–24 October 2026

The taping is set for the Comedy Attic in Bloomington across three nights: Thursday 22 October at 7pm, then two shows each on the Friday and Saturday at 7pm and 9.30pm. Five recordings of the same hour in a club that seats a fraction of a theatre is an unusual way to shoot a Netflix special, and the venue makes the point itself — it says only one other Netflix hour has been filmed outside a theatre, at the Comedy Cellar in New York.

The choice is deliberate and reads as an argument about where the act belongs. A room that small removes the safety net a theatre crowd provides, and it puts the hour back in front of the kind of audience he built it on. Before Bloomington he is at Cobb's Comedy Club in San Francisco on 9 and 10 October 2026, with two shows on the Saturday — the last club dates on sale before the cameras arrive.

What happens after October is unsettled. There is no premiere date, no announced theatre tour off the back of it, and no second season of anything to return to. For the moment the work is the hour, and the hour is being finished in public.

The show, now

A Wakim show in late 2026 is a club headline of roughly an hour, not a theatre production, and there is no staging to speak of beyond a microphone and a room. The dates on sale are Cobb's Comedy Club in San Francisco on 9 and 10 October, with two shows on the Saturday, and then the Netflix taping at the Comedy Attic in Bloomington across 22–24 October — one show at 7pm on the Thursday, then 7pm and 9.30pm on both the Friday and the Saturday. The double-show nights mean the same hour twice, which tends to produce a tighter second set. No support acts are listed on the club billings; when he plays New York he still turns up on mixed multi-comic bills rather than only headlining. The set itself is the material he has been sharpening since the Weekend Update sets: the Lebanese-American household and his parents, Arab Christian identity mistaken for something else, and American comfort examined from inside it. He has taken versions of it to Beirut in 2024 and to his own festival showcase at Pacific Electric in Los Angeles in May 2026, so it travels. Anyone booking Bloomington should expect to be recorded.

Researched from en.wikipedia.org · emilwakim.com · latenighter.com · comedyattic.com · comedyattic.com · thenationalnews.com · livenation.com · comedyworks.com

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