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Jake Johannsen

5 dates on sale · on Ticketmaster

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The profile · researched 22 October 2026

The Friday-night comic: Jake Johannsen's forty years of club headlining

Jake Johannsen holds the record for featured stand-up appearances on David Letterman's Friday-night show, built a career on long, winding stories about toasters and aliens, and at 66 is still working club weekends — five of them on sale now at the Punch Line in San Francisco.

Chemical engineering's loss

Johannsen was born on 28 July 1960 in Iowa City, Iowa. He went to Iowa State University in the early 1980s intending to study veterinary medicine, switched to chemical engineering, and left after three years without finishing, moving to San Francisco to try stand-up instead.

San Francisco in the mid-1980s was the right room at the right time. He made his debut at Cobb's Comedy Club and, by 1986, had won the 11th Annual San Francisco International Comedy Competition — the credential that got him out of the Bay Area and into national television bookings within a couple of years.

The record-holder

The number that follows Johannsen everywhere is his Letterman count. Club biographies and his own website put it at 45 appearances on The Late Show with David Letterman; Wikipedia records 46 and describes it as the all-time record for the featured Friday-night comic. Either way, no other stand-up was handed that slot more often. He also turned up on Conan O'Brien, Jay Leno, The Daily Show with Jon Stewart and Chelsea Lately.

Before that he had done HBO's Young Comedians Special and PBS's Comedy Tonight, and he hosted Comedy Central's Two Drink Minimum. His first hour-long special, This'll Take About an Hour, went out on HBO and was named by People magazine as one of the ten best television shows of 1992; TV Guide placed it at number 36 in its hundred greatest moments in television. The special also drew a Cable ACE nomination for its writing, and in 1994 he was nominated as best male stand-up at the American Comedy Awards.

The acting work was steady rather than central: Loaded Weapon 1 in 1993, Mrs Parker and the Vicious Circle in 1994, and Breakfast of Champions in 1999 opposite Bruce Willis, plus episodes of The Larry Sanders Show, Married… with Children and Dr. Katz, Professional Therapist. The best-known footnote belongs to someone else's show — by Jerry Seinfeld's account, Johannsen was considered for the part of George Costanza and turned it down.

Records, and selling them himself

His albums are a small, deliberate catalogue. Live at Cobb's Comedy Club was recorded at the San Francisco club on 26 November 2000 and released on 30 January 2001 — a return to the room where he had started fifteen years earlier. Jake This Dot Com and I Love You complete the three releases he keeps on Bandcamp.

I Love You is the one with the widest reach. It aired as his second special on Showtime in 2010 and later turned up on Netflix, and the album carries the same name. After that he stopped waiting for a network. Pictures of My Dinner was recorded at the Hilarities 4th Street Theater, inside Pickwick and Frolic in downtown Cleveland, and announced on his own site for a December 2014 launch; he has sold it directly ever since as a download or a DVD and CD package, which is currently marked sold out. No new special has been announced in the decade since.

Lockdown, illness, and getting the stage legs back

The most candid account of the quiet years came from Johannsen himself. In a newsletter published on 10 April 2023, he explained the gap: a long California lockdown had taken him off stage, his wife — the actress Belinda Waymouth, with whom he has one child — had been diagnosed with cancer and had since gone into remission, and he needed time to get what he called his stage legs back before he could restart properly.

That post announced three runs: Acme Comedy Company in Minneapolis on 13–15 April 2023, the Punch Line in San Francisco on 18–20 May, and Comedy Works South in Denver on 1–3 June. In the meantime he had been putting stand-up clips on Instagram and Facebook and going live on Facebook on Tuesdays and Fridays, with exceptions.

Through 2024 the newsletter — which he calls a bulletin about the week of nonsense — tracked a touring comic rebuilding a circuit: Arlington and Manassas in Virginia, Arden in Delaware and San Francisco in May, a July and August run, then Beverly, Massachusetts on 20–21 September.

Where he stands now

2025 was his fullest year back. He played Zanies in Chicago over 6–8 February, Acme in Minneapolis on 16–19 April, and the Punch Line in San Francisco on 8–10 May — the last of these announced in a newsletter dated 29 April 2025, which remains the most recent post in his Substack archive.

In April 2026 he returned to Acme for six shows across four nights, 15–18 April, at 708 North 1st Street: single 8pm shows on the Wednesday and Thursday, then 7pm and 9.30pm doubles on the Friday and Saturday. That weekend-double pattern is the shape of his working year now.

What is on sale as of October 2026 is a five-show run at the Punch Line Comedy Club on Battery Street in San Francisco, the club he has been headlining for decades: Thursday 5 November at 7.30pm, then two shows each on Friday 6 and Saturday 7 November, with the late Saturday show at 9.15pm. Alongside the club work, Acme's biography has him appearing on the No Laugh Track podcast. Comedy Works in Denver lists nothing scheduled.

What the act actually does

The material has not been reorganised around a hook. Club biographies describe long, convoluted narratives on relationships, extraterrestrials, marriage and the relationship between people and machines — toasters are a recurring subject — and have for years reached for the same comparison, that he conjures stranger imagery than anything this side of Gary Larson's The Far Side cartoons. One booker's description, a self-confessed raconteur of weird stories, is about as close as a one-line summary gets.

His own site makes an argument that most comics with television credits would avoid: that the televised versions are a poor guide and the live show is a substantially different and better thing. It is a defensible claim for a comic whose jokes depend on how long he can keep a story going before the shape of it becomes visible, which is not something a four-minute late-night spot ever allowed him to demonstrate.

The show, now

A Johannsen show in 2026 is a club headline set, not a theatre production: ticketing listings put his sets at roughly 60 to 90 minutes depending on whether he is working alone or on a shared bill, and the venues are 200-to-300-seat rooms — Acme in Minneapolis, Zanies in Chicago, the Punch Line on Battery Street in San Francisco — on the standard weekend pattern of one show midweek and two a night on the Friday and Saturday. The November 2026 San Francisco run is exactly that: 7.30pm on Thursday 5 November, then doubles on 6 and 7 November with the late Saturday show at 9.15pm. There is no staging to speak of and no announced support act; the clubs supply their own host and opener, and the recent Acme run had a local comic hosting all six shows. The set itself is long-form storytelling rather than a run of one-liners, working through marriage, machines, household objects and aliens, with the pleasure lying in how far he can extend a premise. Audience reviews posted against his club listings are consistent on two points — one from May 2025 calls him one of the all-time great stand-ups and notes that the material is personable and not at all mean-spirited, and another, from someone who has been seeing him since the 1980s, places him a level above almost everyone else. His own site insists the live show is substantially better than the televised versions, which is the main reason the club dates matter more than the back catalogue.

Researched from en.wikipedia.org · livenation.com · jakethis.com · jakethis.com · jakethis.substack.com · jakethis.substack.com · acmecomedycompany.com · acmecomedy.seatengine.com

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