Gigspedia

Arts & Theatre · Comedy · Comedy

Jason Leong

2 dates on sale · on Ticketmaster

On tour

Every date the ticketer lists, worldwide · venue time

The profile · researched 3 October 2026

The doctor who wrote a comedy hour about his best friend's death

Dr Jason Leong quit medicine in 2014 and became the first Southeast Asian comic with two Netflix hours; the show he is touring through October and November 2026, In Laughing Memory, was written out of a friend's death from cancer.

Selayang Hospital to the open mic

Jason Leong was born on 23 January 1985 in Malaysia, went to Bukit Bintang Boys School, where he was the class clown, and then chose medicine because he took it for the pinnacle of the sciences. He trained at University College Dublin, came home and worked as a physician at Selayang Hospital. His first open mic was five minutes in June 2010. He practised for about five years in total, running comedy alongside the job for his last two years in medicine, and went full-time in 2014. His wife pushed for the switch; his mother took longer to come round.

Before any of the comedy, he had already published a book: The Twisted Stethoscope, through Marshall Cavendish in 2007. His early footing on stage came with MACC, the Malaysian Association of Chinese Comedians, alongside Douglas Lim, Phoon Chi Ho and Kuah Jenhan. In 2013 he won the 7th International Hong Kong Comedy Competition, the first Malaysian to take it.

The writing method is plain accumulation. He logs mundane observations on his phone — small irritations, oddities — and works them up later. He avoids building sets out of Malaysian stereotypes, preferring anecdotes that travel: the one about freezing when cabin crew asked a doctor to help a sick passenger mid-flight works anywhere. He has argued that laughter is not the best medicine but the best form of social protest, that stand-up is the last bastion of free speech, and that comedians should always be anti-establishment.

The hours that travelled

Harmful When Swallowed, in 2018, took him through Malaysia, Singapore, India, the Philippines, Hong Kong and Australia — the shape of a career built on the Malaysian diaspora rather than on one domestic market. Netflix put out Dr. Jason Leong: Hashtag Blessed in September 2020, filmed in 2018 at the Temple of Fine Arts in Brickfields, Kuala Lumpur. Dr. Jason Leong: Ride with Caution followed in February 2023, filmed in Singapore. Two Netflix specials made him the first Southeast Asian comic with a pair of them.

In 2022 he was booked into Just For Laughs Montreal as the only Southeast Asian performer in the New Faces: International showcase, and he has played the Laugh Factory in both Hollywood and New York. Those credits now sit at the top of every venue listing he appears on.

The third hour went out differently. Warrior in the Garden was released on 11 October 2025 on YouTube rather than Netflix, a choice he made a joke of at the time, describing YouTube as the perfectly prestigious platform. The material takes on Asian attitudes to overwork and racism inside families — the latter aimed at relatives rather than strangers, which is the harder version of that bit to write.

A show written out of a death

In Laughing Memory came out of losing one of his closest friends to cancer. The response was to write a stand-up hour about it, and the show is billed, accurately, as his most personal. It opens on the death itself rather than keeping it back for a late reveal, then works outward through grief and love without softening into a talk.

The notices have been strong and consistent across markets. The Malay Mail gave it five stars and called him a gifted storyteller, saying it was easy to see why he lands so well with Malaysian audiences. Coconuts KL also gave five stars, crediting the show with transcending the usual Malaysian tropes while never losing where the humour came from. In Australia, ArtsHub gave four stars — summing him up as an engaging, amiable chap — and Stage Whispers noted the sharp-witted humour. The Singapore critic at Bakchormeeboy described the opening section on his friend's death as bleak but sincere, raw and cathartically hilarious.

2026: the routing, and two interruptions

The 2026 routing has been long and largely self-promoted. Australia took April into May, including the Sydney Comedy Festival across the Enmore Theatre, the Factory Theatre at Marrickville from 24 to 26 April, the Concourse at Chatswood and the Joan at Penrith, plus the Perth Comedy Festival at the Regal Theatre, the Astor Theatre and HOTA on the Gold Coast. Then Taipei on 5 June and Hong Kong on 6 June; Manila on 28 August at the Teatrino at Promenade, Greenhills; Indonesia on 4 and 5 September; the UK from 10 to 12 September; continental Europe from 17 to 20 September, finishing at Boom Chicago in Amsterdam on 20 September; Malaysia from late September to 18 October, taking in Miri and Kota Kinabalu as well as the peninsula; Singapore on 23 and 24 October; and the Sydney Opera House on 20 November.

The Indonesian leg nearly broke the chain. He played Jakarta on 5 September and was booked on a Batik Air flight home the next morning at 11.45. At 1am on 6 September it was cancelled: Mount Anak Krakatau was throwing ash plumes, part of a run of eruptions from six Indonesian volcanoes that began on 31 August, closing eight airports and cancelling 59 flights at Kuala Lumpur alone. He crowdsourced advice, ruled out Bandung and Surabaya, took a six-hour train to Yogyakarta and flew AirAsia home that evening — roughly 16 hours door to door, landing a day before his flight to Europe.

The other interruption was domestic and unresolved. In March 2025 he went public on Facebook about a Malaysian venue that attached content conditions to a 2026 booking, barring foul language and anything that could lead to conflict. He asked who the venue was to dictate terms to the party hiring it, said he had never been this disappointed in his career, and pulled the show rather than accept the terms. Fans in the comments told him to take the hour abroad instead, which is more or less what the 2026 routing did.

What is still on sale

As of early October 2026 the Malaysian run is mid-flight: Penang on 4 October, Melaka on 9 October, Johor Bahru on 10 and 11 October, then six nights in Kuala Lumpur from 13 to 18 October at the Platform Performing Arts Theatre in Menara KEN, TTDI, with evening shows at 8.30pm and matinees at 3.30pm on 16 and 18 October. Kuala Lumpur tickets run from RM108 for silver to RM198 for VIP.

After that the hour goes to Singapore on 23 and 24 October, and then to the Concert Hall of the Sydney Opera House at 7pm on 20 November as part of Just For Laughs Sydney, which runs from 9 to 22 November 2026. That is the largest room the show has been put into, and the Opera House bill that night also carries the festival's Asia Comedy Showcase in the Studio at 7.15pm, hosted by Michael Hing with seven comics including Dilruk Jayasinha, Neel Kolhatkar and Annie Louey.

The show, now

In Laughing Memory runs roughly 90 minutes with no interval, rated 16 and over for mature content, and it is a solo hour — no support act is listed on the Malaysian or Singapore dates, and the Sydney Opera House booking on 20 November 2026 puts him alone in the Concert Hall at 7pm. Staging is bare stand-up: microphone, numbered seating, casual dress, no video recording permitted. The structure is unusual in that it opens on the hardest material rather than saving it — the death of a close friend from cancer — which the Singapore reviewer at Bakchormeeboy called bleak but sincere, raw and cathartically hilarious, before widening out into grief, love and the observational material he is better known for. Venue scale varies a lot on this run, from the Factory Theatre in Marrickville and the Platform Performing Arts Theatre in TTDI, where he played six nights from 13 to 18 October 2026 at RM108–RM198, to the Regal Theatre in Perth and the Opera House. Reviews have been uniformly positive across the circuit: five stars from The Malay Mail, which called him a gifted storyteller, five from Coconuts KL for transcending the standard Malaysian tropes without losing their roots, four from ArtsHub Australia, and a nod from Stage Whispers for the sharp-witted humour.

Researched from en.wikipedia.org · asiamediacentre.org.nz · firstclasse.com.my · jasonleong.my · cloudjoi.com · sydneycomedyfest.com.au · perthcomedyfestival.com · justforlaughs.sydney

Pictures

The ticketer's photographs