On tour
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The profile · researched 17 September 2026
Russell Howard has walked away from television and built a 118-night tour on a no-phones rule
The Bath-born comic quit TV after 19 years and is now halfway through Don't Tell The Algorithm, his biggest UK and Ireland run yet — 118 shows, six at the London Palladium, sold out across much of the autumn leg. In September 2026 he also revealed the death of his baby son and launched a foundation in his name.
Bath, Bristol and the circuit years
Russell Howard was born on 23 March 1980 in Bath, Somerset, and studied economics at the University of the West of England in Bristol. He began performing stand-up in 1999 and spent the first half of the next decade on the club circuit, where his reputation was built as much on compèring as on his own material: he took Best Compère at the 2006 Chortle Awards, and was nominated for the Edinburgh Comedy Award for his Fringe show the same year.
Bristol has stayed the centre of gravity. Every tour he announces carries a multi-night homecoming run there, and the 2026 tour has five Bristol dates — more than any city outside London.
Mock the Week, Good News and 182 episodes of his own television
Howard became nationally known as a regular on Mock the Week, which he left in 2010, by which point he already had his own vehicle. Russell Howard's Good News ran on BBC Three from 2009 to 2015 and became the channel's highest-rating entertainment series. He guest-hosted Never Mind the Buzzcocks in 2013, and in 2017 moved to Sky One with The Russell Howard Hour, which ran until 2022.
Between the two shows he wrote and starred in 182 episodes — an unusually large body of presenter-led comedy for a stand-up who never stopped touring around it. During lockdown he made Russell Howard's Home Time from his house and donated his fee to charity.
The touring record that keeps getting rewritten
The live career has scaled steadily rather than suddenly. Dingledodies toured in 2008–09 and sold over 125,000 tickets; Right Here Right Now followed in 2011, Wonderbox in 2014 and Respite in 2019–20. Respite included ten consecutive nights at the Royal Albert Hall, beating the eight-night runs previously held by Frank Sinatra and Barry Manilow.
His fourth and largest international run, billed as Russell Howard Live, took in 237 gigs across 141 cities in 30 countries and sold 435,000 tickets. Across his career he has sold more than two million tickets worldwide, and clips of his material have passed a billion views on social platforms. Two stand-up specials, Recalibrate and Lubricant, went out on Netflix.
Quitting television, keeping the microphone
In January 2025, speaking on the Have a Word podcast, Howard said he had finished with television after 19 years: "I don't do TV anymore, I just do stand-up and my podcast." He has held to it. There has been no new series since The Russell Howard Hour ended.
What replaced it was a self-released special and a podcast slate. Russell Howard Live at the London Palladium premiered as a global paid stream on Driift on 15 January 2025 — a 60-minute set filmed on the international tour, with bonus material called Off the Cuff and live fan interaction on launch night. It reached Comedy Central from June 2025 and aired on SBS Viceland in Australia on 4 August 2025.
Five Brilliant Things, in which a guest talks through the things that make life worth getting up for, has reached the top ten comedy podcasts and booked guests including John Oliver and Jimmy Carr; it was still releasing episodes in September 2026, with Brian Conley among recent guests. He also co-hosts the football podcast GoalLess, launched in September 2024.
Don't Tell The Algorithm
The current tour was announced on 22 September 2025 as 74 shows across the UK and Ireland, opening on 22 January 2026 and closing on 28 November, with four nights at the London Palladium and three in Bristol. It did not stay that size. On 10 October 2025 a further 22 dates and more than 40,000 tickets went on sale, taking it to 96 shows and the Palladium run to six. On 7 November 2025 another 20 dates and over 30,000 tickets pushed the total to 118 performances, with the finish moved to 29 November 2026.
The premise sits in the title. The show is sold as a room with no phones and no feed — Howard's argument being that the algorithm flattens people into their worst arguments, and that a theatre full of strangers laughing is the counter-evidence. It is a broad thesis, and the set spends as much time on Trump, Jeffrey Epstein, Prince Andrew and Nigel Farage as it does on the phone in anyone's pocket.
He tested the material publicly first: eight work-in-progress shows at the Pleasance Courtyard during the Edinburgh Fringe, running 5–12 August 2026 at 4pm for £15 a ticket. As of mid-September 2026 the autumn leg is under way, with Birmingham, Bath, Truro, Basingstoke, Canterbury, Southend and Dublin among the dates already sold out, and New York shows listed for December.
Felix
On Friday 4 September 2026, Howard and his wife Cerys Morgan announced that their baby son Felix had died shortly after birth earlier in the year. They had kept the birth private. In the statement Howard said the hospital staff who cared for them "showed extraordinary compassion, kindness and humanity" during "the most devastating time of our lives".
They launched the Felix Foundation alongside the announcement, to support families affected by miscarriage, premature birth, stillbirth and neonatal death, fund bereavement training for midwives, and provide practical support. A fundraising comedy gala is set for the O2 in London on 8 February 2027, with Michael McIntyre, Jimmy Carr and Aisling Bea among those donating their time; the gala was already showing as sold out with a waiting list on Howard's own site in September 2026.
The show, now
Don't Tell The Algorithm runs about 90 minutes and is staged with nothing but a microphone and a comic who will not stand still — Chortle's Steve Bennett and theartsdesk's Veronica Lee both describe Howard covering ground at speed, snapping his fingers to punch a beat, swinging the mic about, working the room rather than a set-piece. It opens on rapid topical fire, mostly Trump, Epstein, Prince Andrew and Farage; moves through new fatherhood and NCT-class material and a long seam on how women cope and men mostly do not; then lands the title argument in the second half, that human attention is worth more than what the feed does with it. It closes on callbacks. Andrew Bird has opened and MC'd, with his own material on long marriage and small-town life. Bennett gave it four stars at the Palladium on 10 February 2026 — "there aren't many layers to the material, but, my, is the superficiality fun!" — while Lee gave three, calling it polished and safe but rejecting the charge that Howard is beige. The Daily Telegraph's Tristram Fane Saunders also went four stars: "one of the most effective political stand-ups around, being didactic without being divisive." Phones are discouraged; most of the autumn 2026 dates have sold out.
Researched from chortle.co.uk · theartsdesk.com · avalonuk.com · avalonuk.com · beyondthejoke.co.uk · russell-howard.co.uk · russell-howard.co.uk · en.wikipedia.org
Pictures
Photographs from Wikimedia Commons, credited
